This site tries to gather open-source remakes of great old games in one place. If you think that something is missing from the list - please go to our GitHub repository and create an issue or even a pull request!
Since all these projects are open-source you can help them and make this world a better place. Or at least you can play something to appreciate the effort people put in them.
A standalone timeline app that can be controlled by and sends out its values via OSC.
A Posh based timeline that can be controlled by and sends out its values via OSC.
Brought to you by vvvv.
Requires Internet Explorer >= 10 to be installed on your system.
Looking for a binary download? Get it here.
A free and open-source intermedia sequencer
Enables precise and flexible scripting of interactive scenarios.
Control and score any OSC-compliant software or hardware:
Max/MSP, PureData, openFrameworks, Processing…
Mosaic is an open source multi-platform (osx, linux, windows) live coding and visual programming application, based on openFrameworks.
This project deals with the idea of integrate/amplify human-machine communication, offering a real-time flowchart based visual interface for high level creative coding. As live-coding scripting languages offer a high level coding environment, ofxVisualProgramming and the Mosaic Project as his parent layer container, aim at a high level visual-programming environment, with embedded multi scripting languages availability (Lua, GLSL, Python and BASH(macOS & linux) ).
As this project is based on openFrameworks, one of the goals is to offer as more objects as possible, using the pre-defined OF classes for trans-media manipulation (audio, text, image, video, electronics, computer vision), plus all the gigantic ofxaddons ecosystem actually available (machine learning, protocols, web, hardware interface, among a lot more).
While the described characteristics could potentially offer an extremely high complex result (OF and OFXADDONS ecosystem is really huge, and the possibility of multiple scripting languages could lead every unexperienced user to confusion), the idea behind the interface design aim at avoiding the "high complex" situation, embodying a direct and natural drag&drop connect/disconnet interface (mouse/trackpad) on the most basic level of interaction, adding text editing (keyboard) on a intermediate level of interaction (script editing), following most advanced level of interaction for experienced users (external devices communication, automated interaction, etc...)
Built by Adam King (@AdamDanielKing) as an easier way to play with OpenAI's new machine learning model. In February, OpenAI unveiled a language model called GPT-2 that generates coherent paragraphs of text one word at a time.
While the future can never be predicted with absolute certainty, present understanding in various scientific fields allows for the prediction of some far-future events, if only in the broadest outline. These fields include astrophysics, which has revealed how planets and stars form, interact, and die; particle physics, which has revealed how matter behaves at the smallest scales; evolutionary biology, which predicts how life will evolve over time; and plate tectonics, which shows how continents shift over millennia.
All projections of the future of the Earth, the Solar System, and the universe must account for the second law of thermodynamics, which states that entropy, or a loss of the energy available to do work, must rise over time. Stars will eventually exhaust their supply of hydrogen fuel and burn out. Close encounters between astronomical objects gravitationally fling planets from their star systems, and star systems from galaxies.
https://fr.wikipedia.org/wiki/Chronologie_du_futur_lointain
Quote from https://en.wikipedia.org/wiki/Everything_(video_game) :
Everything is a simulation game where the player has the ability to explore a procedurally generated universe and control various objects within it. The player starts as one of several possible creatures and has the ability to move around. Initially, the player can shift their control to any creature or object smaller than the current one they occupy; this shifts the scale of the game to reflect this. Eventually the player can only shift into smaller and smaller parts of matter, down to the sub-atomic level, after which the game then allows the player to shift to larger objects as well. From this point, the player can take forms that include landmasses, planets, and whole star systems. As the player moves and shifts forms, they will find other creatures or objects speaking to them. The game uses a number of levels of "existence", representing different length scales, which the player can move between as they shift into different objects.
When a player occupies a form for the first time, that object is added to an in-game encyclopedia catalogued by type. At any time, the player can shift to any form they have already previously inhabited, though this form will be scaled appropriately to the current scale the player is at: taking the form of a planet in the middle of a street will produce a miniature-sized planet. A goal of the game is to complete this encyclopedia and occupy all objects available in Everything. Throughout the game, quotes from philosopher Alan Watts are given to the player. If the player lets the game sit idle, the game will cycle through various scenes on its own.
Once the player has completed the game through completing the encyclopedia, they can start in a New Game Plus-type mode, but here starting from any random object in the game.
More from Alan Watts : https://www.postbelief.org/alan-watts-out-of-your-mind/
Welcome to Planet eBook, the home of free classic literature! The latest version of the site, with its mobile-friendly design and multi-format eBooks, attempts to make our collection of eBooks available on all devices.
Existing free eBooks on the web tend to be well beneath the quality of paper books, making them more difficult and less pleasurable to read. In a small way, we’re trying to change this. Our goal is to publish a small selection of high-quality eBooks — each a genuine alternative for readers wanting to enjoy reading a book without having to pay for it.
The books we publish in Australia are all in the public domain and out of copyright. Please be sure to check the copyright laws for your country before downloading.
Richard
Declassifier
Custom Software, COCO Dataset (corrected). 2 days 5 hours 25 min. 2019
Declassifier processes pictures using the YOLO computer vision algorithm. Instead of showing the program's prediction, the picture is overlayed with images from COCO, the training dataset from which the algorithm learned in the first place.
The data by which machine learning algorithms learn to make predictions is hardly ever shown, let alone credited. By doing both, Declassifier exposes the myth of magically intelligent machines, instead applauding the photographers who made the technical achievement possible. In fact, when showing the actual training pictures, credit is not only due but mandatory.
Beats is a command-line drum machine. Feed it a song notated in YAML, and it will produce a precision-milled Wave file of impeccable timing and feel.
http://beatsdrummachine.com/tutorial/
http://tropone.de/2019/02/21/ungewoehnliche-wege-rhythmen-zu-programmieren-teil-2-beats-cl/
Open-source virtual modular synthesizer
https://vcvrack.com/manual/index.html
https://patchstorage.com/platform/vcv-rack/
https://community.vcvrack.com/
VCV was founded by Andrew Belt in 2016 and is based in Tennessee, USA. Its flagship product VCV Rack was released on September 10, 2017 at Knobcon after two years of development. It was based on an unreleased C++ modular audio engine written by Andrew in 2012.
Each letter of the alphabet is an operation, lowercase letters operate on bang, uppercase letters operate each frame. Orca is designed to control other applications, create procedural sequencers, and to experiment with livecoding. See the documentation and installation instructions here, or have a look at a tutorial video.
A add: Outputs the sum of inputs.B bool: Bangs if input is not empty, or 0.C clock: Outputs a constant value based on the runtime frame.D delay: Bangs on a fraction of the runtime frame.E east: Moves eastward, or bangs.F if: Bangs if both inputs are equal.G generator: Writes distant operators with offset.H halt: Stops southward operators from operating.I increment: Increments southward operator.J jumper: Outputs the northward operator.K konkat: Outputs multiple variables.L loop: Loops a number of eastward operators.M modulo: Outputs the modulo of input.N north: Moves Northward, or bangs.O offset: Reads a distant operator with offset.P push: Writes an eastward operator with offset.Q query: Reads distant operators with offset.R random: Outputs a random value.S south: Moves southward, or bangs.T track: Reads an eastward operator with offset.U uturn: Reverses movement of inputs.V variable: Reads and write globally available variables.W west: Moves westward, or bangs.X teleport: Writes a distant operator with offset.Y jymper: Outputs the westward operator.Z zoom: Moves eastwardly, respawns west on collision.* bang: Bangs neighboring operators.# comment: Comments a line, or characters until the next hash.: midi: Sends a MIDI note.^ cc: Sends a MIDI CC value.; udp: Sends a UDP message.= osc: Sends a OSC message.enter bang selected operator.shift+enter toggle insert/write.space toggle play/pause.> increase BPM.< decrease BPM.shift+arrowKey Expand cursor.ctrl+arrowKey Leap cursor.alt+arrowKey Move selection.ctrl+c copy selection.ctrl+x cut selection.ctrl+v paste selection.ctrl+z undo.ctrl+shift+z redo.] increase grid size vertically.[ decrease grid size vertically.} increase grid size horizontally.{ decrease grid size horizontally.ctrl/meta+] increase program size vertically.ctrl/meta+[ decrease program size vertically.ctrl/meta+} increase program size horizontally.ctrl/meta+{ decrease program size horizontally.ctrl+= Zoom In.ctrl+- Zoom Out.ctrl+0 Zoom Reset.tab Toggle interface.backquote Toggle background.Download the app here : https://hundredrabbits.itch.io/orca
Source code : https://github.com/hundredrabbits/Orca
Video tutorial : https://www.youtube.com/watch?v=RaI_TuISSJE
To test midi on Macosx : http://notahat.com/simplesynth
Activate the virtual Midi input on Macosx : https://help.ableton.com/hc/en-us/articles/209774225-Using-virtual-MIDI-buses
Pilot (another way to create music with orca from the same creators) :
Download the app here : https://hundredrabbits.itch.io/pilot
Source code : https://github.com/hundredrabbits/Pilot
A good explanation of the software in German : http://tropone.de/2019/03/13/orca-ein-sequenzer-der-kryptischer-nicht-aussehen-kann-und-ein-versuch-einer-anleitung/
The tl;dr
We should all be automating our image compression.
Image optimization should be automated. It’s easy to forget, best practices change, and content that doesn’t go through a build pipeline can easily slip. To automate: Use imagemin or libvips for your build process. Many alternatives exist.
Most CDNs (e.g. Akamai) and third-party solutions like Cloudinary, imgix, Fastly’s Image Optimizer, Instart Logic’s SmartVision or ImageOptim API offer comprehensive automated image optimization solutions.
The amount of time you’ll spend reading blog posts and tweaking your configuration is greater than the monthly fee for a service (Cloudinary has a free tier). If you don’t want to outsource this work for cost or latency concerns, the open-source options above are solid. Projects like Imageflow or Thumbor enable self-hosted alternatives.
Tapioca Toys Cardboard
Real-world interfaces built to play music, mold landscapes, draw… for kids & grown-ups.
The Cardboard Edition is the latest-born of our tapioca interfaces. We're introducing this compact, low-cost and low-tech version that's easy for us to mail and easy for you to build. All it does require is an iPhone, and not necessarily the latest kind: versions 5 to X are compatible. To learn more about the why and the how, visit our lab article.
How does our understanding of technology change when abstractions become tangible? In this course, paper acts as a bridge between code, mathematics, and our human sensory experience of the world.
When we fold, we imbue an inert material with pattern, structure, animation, function, and interface; a crease in paper is a re-programming of the material’s memory. Folded structures give us a means to touch and manipulate difficult problems and unlike simple machines (limited by static friction), folding systems can be applied at any scale, from nanometer to spacecraft scale. With an increased knowledge of folding mechanisms can we build more sustainable, ecologically-aware technology?
Lead by paper engineer and designer Kelli Anderson and origami artist and developer Robby Kraft, SFPC’s two-week session will explore the wide variety of ways that a piece of paper can produce function.
ArchiveBox takes a list of website URLs you want to archive, and creates a local, static, browsable HTML clone of the content from those websites (it saves HTML, JS, media files, PDFs, images and more).
You can use it to preserve access to websites you care about by storing them locally offline. ArchiveBox imports lists of URLs, renders the pages in a headless, autheticated, user-scriptable browser, and then saves archive of the content in multiple redundant common formats (HTML, PDF, PNG, WARC) that will last long after the originals disappear off the internet. It automatically extracts assets and media from pages and saves them in easily-accessible folders, with out-of-the-box support for git repositories, audio, video, subtitles, images, PDFs, and more.
You don't need to write any code to create a simple story with Twine, but you can extend your stories with variables, conditional logic, images, CSS, and JavaScript when you're ready.
Twine publishes directly to HTML, so you can post your work nearly anywhere. Anything you create with it is completely free to use any way you like, including for commercial purposes.
Twine was originally created by Chris Klimas in 2009 and is now maintained by a whole bunch of people at several different repositories.
My goal is to include scripts from indigenous and minority cultures who are in danger of losing their sense of history, identity and purpose and who are trying to protect, preserve and/or revive their writing system as a way of reconnecting to their past, their dignity, their sense of a way ahead.
A traditional script is a visual reminder of a people’s identity — as we can tell by the number of cultures that continue to use their script as an emblem (on printed invitations, on shop fronts, even on the national flag) long after most people have stopped using it for everyday purposes.
Naming is hard. Names, after all, are perhaps the most indelible artifacts of the product creation process. Brands are redesigned with a lustrum regularity and codebases are continually rewritten and replaced but a name, for better or worse, usually sticks.
That’s because a good name is a hook that sets itself into a person’s mind, linking their brain back to your idea – try to reset the hook and you risk losing the connection. The process of naming, then, is the process of neatly packaging up that idea, discovering where it begins and ends so it can be linked as a discrete, easily remembered concept.
A good name can help a company or product become successful, of course, but it can also help the lowliest code library find an audience, help formalize an informal process, and propel ideas about the world toward becoming talking points throughout it.
And yet, what tools do we use for naming? What methodology? Many of us practice it informally, doing our best with thesauruses and domain name searches, never stopping to formalize an approach because it seems so devilishly simple – all you really need is a word or two in a language you’ve probably been using your entire life.
But like any art form, naming benefits from rich tools and processes, and this site is meant to help you discover them – to provide a starting point for anyone who needs to name something. That is: everyone, because every idea benefits from a good name.
REXPaint is a powerful and user-friendly ASCII art editor. Use a wide variety of tools to create ANSI block/line art, roguelike mockups and maps, UI layouts, and for other game development needs. Originally an in-house dev tool used by Grid Sage Games for traditional roguelike development, this software has been made available to other developers and artists free of charge. While core functionality and tons of features already exist, occasional updates are known to happen.
With Multipaint, you can draw pictures with the color limitations of some typical 8-bit computer platforms. The screen formats supported are Commodore 64 high resolution, Commodore 64 multicolor, Commodore Plus/4 Hires, Commodore Plus/4 multicolor, ZX Spectrum, MSX 1 and Amstrad CPC0.
Multipaint features common drawing tools, color clash emulation, cut brushes, dither patterns, grid / snap, 20-step undo, spare page, magnify modes, direct executable export, export as source, import/export in native formats and much more.
Vuo is a kit for making a million different projects — apps, videos, prototypes, plugins, exhibits, live performance effects, and more. Even if you don't have programming experience, Vuo lets you build your own stuff for Mac.
Vuo is the Finnish word for flow, and that's what Vuo is about — supporting your creative flow. When you're creating, you want to focus on your ideas. You don't want to be distracted or frustrated trying to figure out how your tools work. Vuo helps you stay in the groove by making it easy to find the building blocks you want, put them together, and tweak your creation until it's just the way you want it.
Christmas Eve 1951. Werner and Mylène are looking forward to a cosy evening with turkey and presents when the doorbell rings. It's Sam, Werner's colleague. He has discovered that Werner has been falsifying the books for several months and wants the money back. This is the beginning of a night full of surprises with unexpected plots and where nothing is what is seems.
In 1967, Swedish National Television was granted a rare interview with Victor Hasselblad at his home. In this video we also get a glimpse into the Hasselblad manufacturing facilities in Gothenburg, Sweden. The Hasselblad camera made its huge breakthrough when the American astronauts began to use it in space. The photographs of the first men on the Moon are some of the most published images in the world. The camera also figured largely for more earthbound photographers, amateurs and professionals alike, working in the fields of advertising, fashion, photojournalism, portraiture, nature, science and medicine. The idea for his camera came to Victor Hasselblad (1906-78) in his youth when he travelled around the Swedish countryside to photograph birds. Never really satisfied with his results, he began to dream about a better camera. This remarkable footage gives us an insight into the man whose idea of a camera – and camera system – is as admired today as it was ground-breaking over 75 years ago.
»Conserve the sound« is an online museum for vanishing and endangered sounds. The sound of a dial telephone, a walkman, a analog typewriter, a pay phone, a 56k modem, a nuclear power plant or even a cell phone keypad are partially already gone or are about to disappear from our daily life.
Accompanying the archive people are interviewed and give an insight in to the world of disappearing sounds.
Polycode is a C++ and Lua framework for building interactive applications. It is free, open source and cross-platform.
Field is a development environment for experimental code and digital art in the broadest of possible senses. While there are a great many development environments and digital art tools out there today, this one has been constructed with two key principles in mind:
Embrace and extend — rather than make a personal, private and pristine code utopia, Field tries to bridge to as many libraries, programming languages, and ways of doing things as possible. The world doesn't necessarily need another programming language or serial port library, nor do we have to pick and choose between data-flow systems, graphical user interfaces or purely textual programming — we can have it all in the right environment and we can both leverage the work of others and take control of our own tools and methods.
Live code makes anything possible — Field tries to replace as many "features" with editable code as it can. Its programming language of choice is Python — a world class, highly respected and incredibly flexible language. As such, Field is intensely customizable, with the glue between interface objects and data modifiable inside Field itself. Field takes seriously the idea that its user — you — are a programmer / artist doing serious work and that you should be able to reconfigure your tools to suit your domain and style as closely as possible.
Water Yam is an artist's book[1] by the American artist George Brecht. Originally published in Germany, June 1963[2] in a box designed by George Maciunas and typeset by Tomas Schmit, it has been re-published in various countries several times since. It is now considered one of the most influential artworks released by Fluxus,[3] the internationalist avant-garde art movement active predominantly in the 1960s and '70s. The box, sometimes referred to as a Fluxbox or Fluxkit, contains a large number of small printed cards, containing instructions known as event-scores, or fluxscores. Typically open-ended, these scores, whether performed in public, private or left to the imagination, leave a lot of space for chance and indeterminancy, forcing a large degree of interpretation upon the performers and audience.
The Low-tech Lab is a collaborative research and documentation project aiming to share and promote low technologies. The programme's vocation is to spread local and efficient low-tech solutions widely in order to provide a global answer to the Sustainable Development Goals defined by the United Nations.
This programme is open to any person or structure willing to contribute to low-tech innovation or benefit from its discoveries.
Ezgif.com is simple online GIF maker and toolset for basic animated GIF editing. Here you can create, resize, crop, reverse, optimize, and apply some effects to gifs.
AI research that touches on dialogue and story generation. As before, I’m picking a few points of interest, summarizing highlights, and then linking through to the detailed research.
This one is about a couple of areas of natural language processing and generation, as well as sentiment understanding, relevant to how we might realize stories and dialogue with particular surface features and characteristics.
The ArchiveTeam Warrior is a virtual archiving appliance. You can run it to help with the ArchiveTeam archiving efforts. It will download sites and upload them to our archive — and it’s really easy to do!
The warrior is a virtual machine, so there is no risk to your computer. The warrior will only use your bandwidth and some of your disk space.
The warrior runs on Windows, OS X and Linux. You’ll need VirtualBox (recommended), VMware or a similar program to run the virtual machine.
https://ganbreeder.app/i?k=1f98015a7ce950101ec1c5ee
Ganbreeder is a collaborative art tool for discovering images. Images are 'bred' by having children, mixing with other images and being shared via their URL. This is an experiment in using breeding + sharing as methods of exploring high complexity spaces. GAN's are simply the engine enabling this. Ganbreeder is very similar to, and named after, Picbreeder. It is also inspired by an earlier project of mine Facebook Graffiti which demonstrated the creative capacity of crowds. Ganbreeder uses these BigGAN models and the source code is available.
Un bref résumé pour chaque jeu, des étiquettes pour identifier chaque style, genre, thème.
L’idée n’est pas de faire une critique de chaque jeu, juste de te permettre de guider tes lectures et tes choix en fonction de ce que tu recherches.
Sustainability practitioners have long relied on images to display relationships in complex adaptive systems on various scales and across different domains. These images facilitate communication, learning, collaboration and evaluation as they contribute to shared understanding of systemic processes. This research addresses the need for images that are widely understood across different fields and sectors for researchers, policy makers, design practitioners and evaluators with varying degrees of familiarity with the complexity sciences. The research identifies, defines and illustrates 16 key features of complex systems and contributes to an evolving visual language of complexity. Ultimately the work supports learning as a basis for informed decision-making at CECAN (Centre for the Evalutation of Complexity Across the Nexus) and other communities engaged with the analysis of complex problems.
This is (almost) everything I learned in design school in one website. Getting a design degree is not a waste of time. In fact, it's one of the best decisions I've ever made. However, most people aren't as lucky to have the sort of professors I did. Some people don't have the access, the ability, or the time to go to school for this stuff. And frankly, that 10-week design intensive is not going to make you a fantastic designer right out of the gate. You need something more.
You have to be self-sufficient. You have to be hungry to learn.
That's why this website exists. This is a list of everything I've found useful in my journey of learning design, and an ongoing list of things I think you should read. This is for budding UX, UI, Interaction, or whatever other title designers.
