WATCHOUT multi-display software is your fast track to creating spectacular shows. Use WATCHOUT to compose and manage all the different media elements in your show – video, still images, animations, graphics, live feeds, sound – and then play it back on multiple displays. Perfectly synchronized, high resolution and right-on-cue.
WATCHOUT is easily integrated and controls external units or devices. It has no limitations on displays, channels or resolutions. With over 15 years of unrivalled performance and reliability, WATCHOUT is the choice of professional show creators worldwide.
WATCHOUT is used in live events, 3D mapping, broadcast, digital signage, museums, planetariums, show rooms, visitor attractions and experience centers. In other words – virtually any market or application where you want multiple display devices and maximum impact.
Uncompressed playback
We understand that image quality is all-important. WATCHOUT supports playback of uncompressed video or images at full resolution and framerate!
Unlimited Display Devices
There are no limits on the number of display devices you can add to your WATCHOUT show. That means no limits on your creativity!
UNLIMITED RESOLUTION
With WATCHOUT you can create any kind of resolution in any kind of aspect ratio. If you want to move beyond 4K, 8K or 16K – no problem.
Virtual Displays
The virtual display feature is a flexible way to map pixels on 3D geometry or your LED walls through a wall processor. It can contain any kind of media, such as video, stills, tweens and dynamic content.
Unlimited timelines
WATCHOUT is a user-friendly, timeline-based show creation tool. Drag and drop media onto an infinite number of timelines, auxiliary timelines or layers.
3D Mapping / Facade projection
With WATCHOUT you can create projection mapping shows on any shape, structure or building. Import your 3D model and use the 3D projection feature to visualize your show!
Capture content
With WATCHOUT you can capture multiple content streams through low latency capture cards, USB cards, network streams, VNC or live IP workflow using NDI® (Network Device Interface).
NDI / Live IP production workflow
WATCHOUT supports NDI® which allows multiple video streams on a shared connection, enabling high quality, low latency, frame-accurate video over local area networks and reducing costs plus deployment time.
A collection of specifications and tools for 360° video and spatial audio, including:
Spatial Audio metadata specification
Spherical Video metadata specification
Spherical Video V2 metadata specification
VR180 Video Format VR180 video format
Spatial Media tools for injecting spatial media metadata in media files
https://github.com/google/spatial-media/releases/download/v2.1/360.Video.Metadata.Tool.mac.zip
https://github.com/google/spatial-media/releases/download/v2.1/360.Video.Metadata.Tool.win.zip
The Aziz! Light Crew Freeliner is a live geometric animation software built with Processing. The documentation is a little sparse and the ux is rough but powerfull.
Also known as a!LcFreeliner. This software is feature-full geometric animation software built for live projection mapping. Development started in fall 2013.
It is made with Processing. It is licensed as GNU Lesser General Public License. A official release will occur once I have solidified the new architecture developed during this semester.
Using a computer mouse cursor the user can create geometric forms composed of line segments. These can be created in groups, also known as segmentGroup. To facilitate this task the software has features such as centering, snapping, nudging, fixed length segments, fixed angles, grids, and mouse sensitivity adjustment.
My most recent sculptural installations are constructed with discarded electronic materials: computer, telephone and electric cables, thousands of burnt-out bulbs, meters of videotape, old slot machines, celluloid, DVDs, etc. The installations explore the short life expectancy of the technologies we cast off and their relationship to organic mortality.
These installations also seek to reanimate the lifeless. Light animations projected onto the installations appear to free the energy stored in the electronic waste, awakening in it memories of its past.
Through my work I try to bring dead materials back to life, reveal their secrets, revive the collective memory they contain to construct an accurate portrait of a society and an age.
Daniel Canogar, January 2012