Spacelapser is a tool for exploring the three-dimensional volumes created by loading an entire video into memory. Depending on the motion of the camera, this volume can resemble a lightfield, a slit-scan camera, or a special relativity simulator.
https://github.com/loganwilliams/spacelapser/releases/download/v0.1.2/spacelapser.dmg
Conceptual artist exploring our use of technology and its ethical and aesthetic implications.
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[EN] Filipe Vilas-Boas was born in Portugal in 1981. He is a self-taught conceptual artist currently living and working in Paris. Without being a naive tech utopist or a reluctant technophobe, he explores our use of technology and its ethical and aesthetic implications. His installations, performances and conceptual artworks question the global digitalization of our societies, mostly by merging our physical (IRL) and digital (URL) worlds.
His works were highlighted in the Portuguese Emerging Art Books, 2018 & 2019 Edition and have been shown internationally notably at Nuit Blanche Paris, the UNESCO, Biennale Siana, Le Cube, The French Ministry of Culture, Biennale Némo - Le 104 (FR), Athens Digital Art Festival, Monitor - Heraklion Contemporary Arts Festival (GR), Zaratan, MAAT Museum (PT) and at the Tate Modern (UK).
A showcase with creative machine learning experiments
Web scraping describes techniques for automatically downloading and processing web content, or converting online text and other media into structured data that can then be used for various purposes. In short, the user writes a program to browse and analyze the web on their behalf, rather than doing so manually. This is a common practice in silicon valley, where open html pages are transformed into private property: Facebook began as a (horny) web scraping project, as did Google and all other search engines. Web scraping is also frequently used to acquire the massive datasets needed to train machine learning models, and has become an important research tool in fields such as journalism and sociology.
I define "scrapism" as the practice of web scraping for artistic, emotional, and critical ends. It combines aspects of data journalism, conceptual art, and hoarding, and offers a methodology to make sense of a world in which everything we do is mediated by internet companies. These companies surveill us, vacuum up every trace we leave behind, exploit our experiences and interject themselves into every possible moment. But in turn they also leave their own traces online, traces which when collected, filtered, and sorted can reveal (and possibly even alter) power relations. The premise of scrapism is that everything we need to know about power is online, hiding in plain sight.
This is a work-in-progress guide to web scraping as an artistic and critical practice, created by Sam Lavigne. I will be updating it over the coming months! I'll also be doing occasional live demos either on Twitch or YoutTube.
https://github.com/msieg/deep-music-visualizer
https://www.instagram.com/deep_music_visualizer/
https://www.youtube.com/watch?v=L7R-yBZ5QYc
Want to make a deep music video? Wrap your mind around BigGAN. Developed at Google by Brock et al. (2018)¹, BigGAN is a recent chapter in a brief history of generative adversarial networks (GANs). GANs are AI models trained by two competing neural networks: a generator creates new images based on statistical patterns learned from a set of example images, and a discriminator tries to classify the images as real or fake. By training the generator to fool the discriminator, GANs learn to create realistic images.
"MindCandy Volume 1: PC Demos." The movie explores the definition and roots of an artistic computer sub-culture known as the demoscene, a community that's given me endless inspiration since the 1980s.
WATCHOUT multi-display software is your fast track to creating spectacular shows. Use WATCHOUT to compose and manage all the different media elements in your show – video, still images, animations, graphics, live feeds, sound – and then play it back on multiple displays. Perfectly synchronized, high resolution and right-on-cue.
WATCHOUT is easily integrated and controls external units or devices. It has no limitations on displays, channels or resolutions. With over 15 years of unrivalled performance and reliability, WATCHOUT is the choice of professional show creators worldwide.
WATCHOUT is used in live events, 3D mapping, broadcast, digital signage, museums, planetariums, show rooms, visitor attractions and experience centers. In other words – virtually any market or application where you want multiple display devices and maximum impact.
Uncompressed playback
We understand that image quality is all-important. WATCHOUT supports playback of uncompressed video or images at full resolution and framerate!
Unlimited Display Devices
There are no limits on the number of display devices you can add to your WATCHOUT show. That means no limits on your creativity!
UNLIMITED RESOLUTION
With WATCHOUT you can create any kind of resolution in any kind of aspect ratio. If you want to move beyond 4K, 8K or 16K – no problem.
Virtual Displays
The virtual display feature is a flexible way to map pixels on 3D geometry or your LED walls through a wall processor. It can contain any kind of media, such as video, stills, tweens and dynamic content.
Unlimited timelines
WATCHOUT is a user-friendly, timeline-based show creation tool. Drag and drop media onto an infinite number of timelines, auxiliary timelines or layers.
3D Mapping / Facade projection
With WATCHOUT you can create projection mapping shows on any shape, structure or building. Import your 3D model and use the 3D projection feature to visualize your show!
Capture content
With WATCHOUT you can capture multiple content streams through low latency capture cards, USB cards, network streams, VNC or live IP workflow using NDI® (Network Device Interface).
NDI / Live IP production workflow
WATCHOUT supports NDI® which allows multiple video streams on a shared connection, enabling high quality, low latency, frame-accurate video over local area networks and reducing costs plus deployment time.
Today, you are an Astronaut. You are floating in inner space 100 miles above the surface of Earth. You peer through your window and this is what you see. You are people watching. These are fleeting moments.
These videos come from YouTube. They were uploaded in the last week and have titles like DSC 1234 and IMG 4321. They have almost zero previous views. They are unnamed, unedited, and unseen (by anyone but you).
Astronaut starts when you press GO. The video switches periodically. Click the button below the video to prevent the video from switching.
Astronaut was created by Andrew Wong and James Thompson on a sunny day in San Francisco in 2011.
Beautiful footage of our earth is provided by the Earth Science and Remote Sensing Unit, NASA Johnson Space Center.
Soundtrack provided by Claude Debussy's Claire de Lune performed by Caela Harrison (cc).
Try pressing spacebar.
A collection of specifications and tools for 360° video and spatial audio, including:
Spatial Audio metadata specification
Spherical Video metadata specification
Spherical Video V2 metadata specification
VR180 Video Format VR180 video format
Spatial Media tools for injecting spatial media metadata in media files
https://github.com/google/spatial-media/releases/download/v2.1/360.Video.Metadata.Tool.mac.zip
https://github.com/google/spatial-media/releases/download/v2.1/360.Video.Metadata.Tool.win.zip
Vuo is a kit for making a million different projects — apps, videos, prototypes, plugins, exhibits, live performance effects, and more. Even if you don't have programming experience, Vuo lets you build your own stuff for Mac.
Vuo is the Finnish word for flow, and that's what Vuo is about — supporting your creative flow. When you're creating, you want to focus on your ideas. You don't want to be distracted or frustrated trying to figure out how your tools work. Vuo helps you stay in the groove by making it easy to find the building blocks you want, put them together, and tweak your creation until it's just the way you want it.
Christmas Eve 1951. Werner and Mylène are looking forward to a cosy evening with turkey and presents when the doorbell rings. It's Sam, Werner's colleague. He has discovered that Werner has been falsifying the books for several months and wants the money back. This is the beginning of a night full of surprises with unexpected plots and where nothing is what is seems.
Repaint your picture in the style of your favorite artist.
About
Our mission is to provide a novel artistic painting tool that allows everyone to create and share artistic pictures with just a few clicks. All you need to do is upload a photo and choose your favorite style. Our servers will then render your artwork for you. We apply an algorithm developed by Leon Gatys, Alexander Ecker and Matthias Bethge. The website was originally created by Łukasz Kidziński and Michał Warchoł. We have now joined forces to provide you with the latest technology in even more accessible way.
Our Team
Five researchers from the Bethge lab at University of Tübingen (Germany), CHILI Lab at École polytechnique fédérale de Lausanne (Switzerland) and Université catholique de Louvain (Belgium).
In 1973, Orson Welles narrated this animated short, which features somewhat surreal artwork by Dick Oden. You can see more of Oden's work here.
The Allegory of the Cave illustrates Plato's view of knowledge as presented in Book VII of The Republic: in ordinary experience, we see only shadows of the true world, which we can only behold by pursuing rigorous philosophical analysis.
This is not the only time "The Cave" has been set to film in some form. Open Culture readers may recall this brilliant version done with claymation. Gluttons for punishment may wish to peruse this collection of 20 YouTube versions at PartiallyExaminedLife.com, many of them frightfully amateurish and some of them presenting a warped and/or incomprehensible version of the story.
Modular Video Plugins for Ableton Live
VIZZable is developed with love and released free to the community in the hopes of advancing the art of live audio-visual performance. If you get something out of VIZZable, please give something back to support its development.
MoviePy is a Python module for video editing, which can be used for basic operations (like cuts, concatenations, title insertions), video compositing (a.k.a. non-linear editing), video processing, or to create advanced effects. It can read and write the most common video formats, including GIF.
An oscilloscope can be made to display shapes by playing sounds into it. Making music from these sounds while simultaneously drawing images with those sounds takes things to another level.
In the video I fix up and put an old oscilloscope to a new use, and show how you can watch these audio-visual demos even if you don't have a oscilloscope by using a computer.
If you want to skip the preamble and repair section and jump straight to the demo - it starts at 05:00
Useful Links
Jerobeam Fenderson’s Oscilloscope Music
http://oscilloscopemusic.com
Jerobeam Fenderson’s Youtube Page
https://www.youtube.com/user/jerobeam...
If you have any technical queries - the FAQs here should answer them
http://www.jerobeamfenderson.net/post...
Oscilloscope Emulator for Windows, Mac & Linux
https://asdfg.me/osci/
Reddit Oscilloscope Music Page
https://www.reddit.com/r/oscilloscope...
Here’s a link to a Free Oscilloscope Demo called Youscope
http://makezine.com/2007/08/29/yousco...
If you like seeing oscilloscopes put to unconventional uses - perhaps you'll be interested to see Quake played on one. https://youtu.be/GIdiHh6mW58
You may also be interested to know that the 'first video game' "Tennis for Two" was played on a scope display in 1958
https://en.wikipedia.org/wiki/Tennis_...
If you have an old X/Y capable oscilloscope you'll probably need a pair of BNC male to RCA female converters like these http://amzn.to/2f67Qsk if you want to connect audio devices to it.
The X27 is the highest performing true gen 4 color night vision low light sensor imaging system. The low noise real time 60hz HD detector is the first of its kind breakthrough technology that offers day like imagery in the darkest of environments. The X27 color low light camera images from 390 to 1.2 Um and sees IR military spot lasers. The Sensitivity outperforms the latest image intensified tube night vision technology and does so in full color.
It took 200,000 years for our human population to reach 1 billion—and only 200 years to reach 7 billion. But growth has begun slowing, as women have fewer babies on average. When will our global population peak? And how can we minimize our impact on Earth’s resources, even as we approach 11 billion?
Lumen is a Mac App that makes it easy for you to create engaging visuals in real time. Use the same process with Lumen as you would with a hardware video synth, but with modern features only software can provide. With a semi-modular design that is both playable and deep, Lumen is the perfect way to get into video synthesis.
MyBrother.tv is an artwork & use the api of: YouTube & wikipedia
The intend of mybrother tv is to provide a usergenerated content channel out from youtube and wikipedia. it s use a word to trigger the language and the flow of the clips. The Engines are composed with 4 differend intends.
EngineEntertinment: Compose a floating stream-channel arround the word.
EngineWikText: fullfast clipproducer from the word
Engine Multikulti: mix the language to get culturspread about the word
EngineAssoN: using hebs-roule on the word
+: entropic
-: epistemologic
hot tip: use a Commercial-blocker
actions
link to actual video on youtube.com
fullscreen
show the clip within a playlist
restart mybrother.tv
Daniel Crooks’ Phantom Ride alludes to cinema history to create a seamless journey through a composite reality. By manipulating digital footage as though it were a physical material, the artist has constructed a collaged landscape that takes us through multiple worlds and shifts our perception of space and time.
The employees at Factum Arte are world-class art forgers. But this Madrid-based company is no criminal enterprise. Each piece they create is intended to preserve and protect our cultural heritage. The company has even developed advanced technologies to scan, document and recreate a vast array of objects. From priceless Renaissance paintings to a life-size replica of Tutankhamun’s tomb, founder Adam Lowe says that creating these facsimiles is one of the best ways to protect the originals.
Automatic Cinema aims at an artistic audience. The software can be used for exhibitions or installations, where a variety of media are served on various screens and channels – syncronized or not. Since all media assets are stored in a database, Automatic Cinema is also useful for documentarists and researchers with a structural approach to their material. And last but not least, Automatic Cinema is open source and can be developed by anybody. Instead of cutting a bunch of videoclips the hard way, Automatic Cinema generates countless versions based upon predefined styles. Probably, you'll end up seeing a movie you've never been thinking of — serendipity in it's best way.
In Reverse Perspective the expected visual rules are inverted, so close objects are small and far objects are big. This is not only true for whole objects, but their structure as well. So the near points of an object are closer together, relative to its far points, which gives the flared-out look of the buildings, and the scene as a whole.
"The average life of a web page is about 100 days before it's either changed or deleted," says Kahle. "Even if it's supported by big companies: Google Video came down, Yahoo Video came down, Apple went and wiped out all the pages in Mobile Me." Capturing this transient web was Kahle's original mission for the Internet Archive when he founded it in 1996. Nearly two decades later, the 53-year-old compares his organization to a "Library of Alexandria, version two."
That may be an understatement. In addition to hosting the Wayback Machine, an ever-growing collection of more than 400 billion copies of web pages, the Internet Archive has also expanded its services by providing millions of free digitized books, TV shows, movies, songs, documents, and software titles. Want to see what MotherJones.com looked like in 1996? Here you go. Are you a Deadhead in search of rare recordings? There are more than 9,000 to choose from. Remember when federal websites were closed for business during the government shutdown? They were still available thanks to the Internet Archive.
Tausende Gangnam-Style- und Harlem-Shake-Videos auf Youtube sind der Beleg: Remix ist heute ein Massenphänomen. War das 20. Jahrhundert noch geprägt von zentralisierter Kulturproduktion, laden heute Computer, Videohandys und Internet zu kreativer und öffentlicher Interaktion mit Kulturgütern ein.
Viele der erfolgreichsten Videos auf Youtube und Facebook profitieren davon, dass andere NutzerInnen eigene Versionen von ihnen erstellen und so zur Bekanntheit des Originals beitragen. Die Bandbreite reicht dabei von verwackelten Handy-Videos bis hin zu aufwendigen Remixversionen. Sich für die Erstellung von Werken bei Vorhandenem zu bedienen, ist kein neues Phänomen. Der Blogger Malte Welding illustrierte diesen Umstand einmal unter Verweis auf Wolfgang Amadeus Mozart, der Bach-Fugen bearbeitete und die den Fugen voranstehenden Präludien mit Eigenkompositionen ersetzte, die für Streicher geeignet waren: „Er remixte Bach. Er mashte ihn, er fledderte die toten Noten und schuf etwas Neues.“
Sam Harris (born 1967) is an American author, philosopher, public intellectual, and neuroscientist, as well as the co-founder and CEO of Project Reason. He is the author of The End of Faith (2004), which won the PEN/Martha Albrand Award for First Nonfiction in 2005 and appeared on The New York Times best seller list for 33 weeks, Letter to a Christian Nation (2006), The Moral Landscape (2010), and, most recently, Free Will (2012).
This library of arts and music videos features This or That (a burlesque game show), the Coffee House TV arts program, punk bands from Punkcast and live performances from Groove TV. Many of these movies are available for free download.
Mysterious British street artist Banksy, infiltrating New York with "Better Out Than In," on Friday introduced "Sirens of the Lambs."
It's art in motion. A slaughterhouse delivery truck is filled with plush animal toys, squeaking through the slatted boards of the truck. This display on wheels will be "touring the meatpacking district and then citywide for the next two weeks," according to the Banksy website.
Happy Safari - Pie Brown
cedric Bernadotte : musique et montage,
Fred : Strentz
http://soundcloud.com/pie-brown/sets/lanpebre/
Total Recut provides online resources and social networking opportunities for fans and creators of video recuts, remixes and mash-ups. Users can watch videos or showcase their own work in the galleries, download copyright free source material to use in their own remix projects, learn about remix culture and copyright issues, undertake instructional video tutorials and enter contests to win prizes or just for fun.
Video recuts are short videos, usually found online, that remix found footage from various sources in new ways to create different interpretations and alternative meanings. The facilities and resources on this site are implemented utilising a wiki social network environment whereby registered users can add to and modify almost all content on the site e.g. submit videos to the galleries, rate, comment, update details, flag inappropriate content. Video recuts have become extremely popular on the web since video sharing networks like YouTube gave people the ability to broadcast their work to a potentially large audience for free.
Total Recut is a one stop shop for all things remixed. Users can browse, search and watch the latest recuts, enter competitions to win prizes and acclaim, use online video tutorials to improve their remixing skills, find out about and contact other remix artists and download copyright-free source material to use in their own work.
Gizmo is a documentary about oddball inventions and inventors from the 20th century.Howard Smith`s 1977 documentary about improbable inventions compiles old newsreel footage of wacky inventions in action, (or inaction as the case may be), as well as some inventors` physical quirks and others` daring deeds in "bringing their invention to market," all for your enjoyment. Gizmo! is an irresistible collection of newsreel footage chronicling the inventive spirit in America. We are treated to some of the strangest inventions ever concocted by man, as well as a few forgotten contraptions that seem to make a great deal of sense. Naturally, filmmaker Howard Smith does not let slip the opportunity of showing the inventors at their most foolish, so once again those ubiquitous shots of collapsing one-man airplanes and malfunctioning jet-powered backpacks are trotted out.
Site featuring the artwork of Jason Salavon. Work pages present a variety of projects created since 1991. The info pages include contact, CV, and publicity material. The feed contains posts, updates, and other newsy items.
PixiVisor is a revolutionary tool for audio-visual experiments. Simple and fun, cross-platform application with unlimited potential for creativity! It consists of two parts: Transmitter and Receiver. Transmitter converts the video (static 64x64 image or 10FPS animation) to sound, pixel by pixel (progressive scan). This lets you listen to the sound of your image. But the main function of the Transmitter is to transmit the signal to the receiving devices. Receiver converts the sound (from microphone or Line-in input) back to video. You can set the color palette for this video, and record it to animated GIF file.
Artist Ed Ruscha's fascination with the vernacular architecture of Los Angeles began over fifty years ago and continues to this day. In the 1960s, Ruscha started documenting the building facades along the city's major roads by taking continuous photographs with a 35mm camera mounted to a moving vehicle. His first related publication, "Everything Building on the Sunset Strip" (1966), captures an extensive stretch of the famous thoroughfare. The Streets of Los Angeles Archive, now preserved at the Getty Research Institute, includes Ruscha's comprehensive views of avenues throughout the region.
Inspired by the roads previously paved by concrète musicians and theorists, but also heavily influenced by the worlds of performance art, punk rock and no wave, Christian Marclay was probably the first musician to steal the plunder from the academic domain and to consistently work on the possibilities of disarranging previously ordered sonic artefacts. Long before being a d.j. meant anything more than someone putting one record after the other to make people dance (which is still what it means today), Marclay was exploring old vinyl collections, scratching vinyl in ways unthought of by Bambaataa, destroying needles against turntables and breaking up records in order to discover what lies beneath the groove. In this fairly conventional documentary, Luc Peter offers us a short portrait of Marclay's activities in more recent years, at a time when he's been elevated to avant-stardom by a society reasonably accustomed to the ideas of a musician using ready-made sources or of someone commanding people's respect behind the decks. Marclay briefly discusses his background, methods and artistic purposes, together with considerations on the turntable/record as an instrument or its place in improvisation and pop music.
N.Y., N.Y. is a 1957 film by director New York City recorded through special kaleidoscope lenses (it is rumored that their development took over 20 years). Despite a similar name, it is unrelated to the 1977 film New York, New York.
The Macaulay Library is the world's largest and oldest scientific archive of biodiversity audio and video recordings. Our mission is to collect and preserve recordings of each species' behavior and natural history, to facilitate the ability of others to collect and preserve such recordings, and to actively promote the use of these recordings for diverse purposes spanning scientific research, education, conservation, and the arts.
Video Supercuts, obsessive video montages constructed from popular tv shows or movies that repeat a certain theme
Recommended by Lawrence Lessig - Soderberg was responsible for the "Read My Lips" series and the remix showing George Bush & Tony Blair singing Endless Love.
"A hilarious montage of movies, both classic and obscure, creates a rapid-fire countdown."
(William Sloan, "Outstanding Short Films from International Festivals", Department of Film and Media, Museum of Modern Art New York)
"Exciting found footage filmed made up of 266 (classic) film fragments. Counting down from 266. Schreiner sought and found fragments from film classics and obscure reels of film to complete his task. With a great feeling for building up tension and tight editing, he holds on to the viewer's gaze."
(catalogue IFFR Rotterdam, 2006)
"The numbers from 266 to 1, all glimpsed in brief shots from hundreds of films, are counted down in a hypnotically progressive edit, the ultimate in brutally linear narrative structures."
(Paul Rooney, "Out of Darkness", Screenings of artists’ video in cinemas throughout the Midlands, Great Britain)
"Flag as inapproriate". This unconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom in the Internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes. He 'saves' the flagged videos before they are deleted and adds them to a dark and mythological collage of American survivalism. People have their say, who deeply mistrust the government, who warn their fellow citizens, and who arm themselves visibly. An unclear image emerges. While the protagonists are scared of the almighty American government, the viewer is irritated what to find the most threatening in this "hell": the United States of America, the critics armed to the teeth with conspiracy theories, or the anonymous censorship power of the companies which control the web. The protagonists of Pieces and Love All to Hell are mostly female, whereas in Gagnon's earlier work RIP in Pieces America (transmediale.10, see the video below on this page) they were mainly male.
Research in the DIEM project is focused on understanding human vision during complex real-world scene perception. Because human visual perception involves active information seeking via eye movements, much of the work in the lab focuses on eye movements and human gaze control.
Topics of interest in the lab include fast scene recognition, visual search in natural scenes, visual memory and scene representation, eye movement control during static and dynamic scene viewing, and the integration of visual and linguistic information in natural contexts.
We are also interested in computational approaches to these questions and implementation of underlying processes in the human brain as revealed by neuroimaging techniques such as pupillary response, fMRI and ERP.
http://www.cinexcellence.com/2011/05/complete-list-of-wilhelm-screams/
THE WILHELM SCREAM
is a popular stock scream used in countless films, tv shows, and video games. It was recorded in 1951 for Distant Drums, but found it's infamy when sound magician Ben Burtt snuck it into the films he was working on, especially Star Wars and Indiana Jones.
This video is a (pretty) complete collection of the films that The Wilhelm Scream has been in.
Note: There are different takes of the Wilhelm Scream from the original recording. The most popular version is take 4, but you will hear other versions as well.
The video accompanying our SIGGRAPH 2012 paper "Eulerian Video Magnification for Revealing Subtle Changes in the World". Read more about it here: http://people.csail.mit.edu/mrub/vidmag/
Her artistic research is focused on video installations, photography and experimental films.
Strongly influenced by cinema, her language offers frequently traditional narrative elements and confronts them to other contemporary forms. Her artistic development has always been marked by the result of close collaborations with musicians and composers.
A supercut of inhalations and exhalations from (in order) Willem de Kooning, Barnett Newman, Robert Motherwell, Robert Rauschenberg, Kenneth Noland, Jasper Johns & Larry Poons.
From "Painters Painting", the original 1972 film by Emile de Antonio, and inspired by the current exhibition at Atlanta Contemporary Art Center, "Paintings Panting".
http://thecontemporary.org/exhibitions/painters-panting/
http://michaeldavidmurphy.com
Souvenirs from Earth is the first Cable TV station broadcasting a 24/7 program of Video art, Film, Visual art, Music, Installations and Performances, transforming bigger flat screens into an art terminal, giving access to the avant-garde of visual cultures. We give art more visibility and create new opportunities for art professionals, investigating the ever changing position of art in contemporary culture.
EyesWeb is an open software research platform for the design and development of real-time multimodal systems and interfaces.
Entretien avec le philosophe Bernard Stiegler, réalisé lors du tournage du documentaire "Après la Gauche".
Documentaire réalisé par Jérémy Forni et écrit par Jérémy Forni, Geoffroy Fauquier et Gaël Bizien.
Association citée par B. Stiegler : http://arsindustrialis.org/
The EUscreen project aims to promote the use of television content to explore Europe's rich and diverse cultural history. It will create access to over 30,000 items of programme content and information, and by developing a number of interactive functionalities and dynamic links with Europeana it will prove valuable to the widest range of cultural, educational and recreational users.
After his older brother Victor died in Berlin, Cristian (17) decides to make a documentary about his family and his brother's best friends. How do they feel? How do they deal with the death of someone so close to them?
Inspired by the home videos I made since the late eighties, in this, my first feature film and/or mockumentary, I 'kill' myself to interview my family and my best friends from Chile and Germany, exploring the acting skills of non actors and the line between fiction and documentary.
The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities.
But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era. presspauseplay.com @presspauseplay Facebook: on.fb.me/y4gEK1
CV Dazzle™ is camouflage from computer vision (CV). It is a form of expressive interference that combines makeup and hair styling (or other modifications) with face-detection thwarting designs.
We have built an imaging solution that allows us to visualize propagation of light at an effective rate of one trillion frames per second. Direct recording of light at such a frame rate with sufficient brightness is nearly impossible. We use an indirect 'stroboscopic' method that combines millions of repeated measurements by careful scanning in time and viewpoints.
The device has been developed by the MIT Media Lab's Camera Culture group in collaboration with Bawendi Lab in the Department of Chemistry at MIT. A laser pulse that lasts less than one trillionth of a second is used as a flash and the light returning from the scene is collected by a camera at a rate equivalent to roughly 1 trillion frames per second. However, due to very short exposure times (roughly one trillionth of a second) and a narrow field of view of the camera, the video is captured over several minutes by repeated and periodic sampling.
For more info visit http://raskar.info/trillionfps
http://femtophoto.info
http://www.nytimes.com/2011/12/13/science/speed-of-light-lingers-in-face-of-m...
http://web.mit.edu/newsoffice/2011/trillion-fps-camera-1213.html
Solid Steel is a weekly 2 hour radio mix show, now running for over 2 decades. Every week one of the regular contributors pairs up with a guest to mix and match 'the broadest beats'.
The following videos have been created by the Crew Earth Observations team at Johnson Space Center from a series of still images taken onboard the International Space Station.
Crane.tv is the premium online video magazine for contemporary culture. Devised by an experienced editorial team, its content is aimed at a digital audience of style conscious and culturally curious, global citizens. To date, Crane.tv offers a selection of 500+ videos, showcasing the latest and the best on its five magazine channels - Art, Design, Fashion, Lifestyle and Travel. An international editorial team of leading video-makers and lifestyle-scouts produces the high-calibre content, featuring new talents.
Our mission is to distribute and archive works of time-based art. Each issue highlights artists working in new or experimental media, whose works are best documented in video or sound.
ikonoTV specializes in presenting art in video form, presenting artworks from the ancient world up to the present day as visual narratives constructed of moving images. The central element of IkonoTV’s philosoph
Giovanni Sample est un projet lancé en 2004 par un artiste français qui façonne des morceaux/clips originaux en piochant sa matière première dans les sites de partage vidéo. Giovanni Sample revisite le patrimoine culturel mondial avec un regard et u
Sur cette page vous pouvez accéder à une cinquantaine de séances Ars Industrialis indexées sous "Lignes de Temps".
Le logiciel Lignes de temps met à profit les possibilités d’analyse et de synthèse offertes par le support numérique. Inspirées par les «timelines» ordinairement utilisées sur les bancs de montage numérique,
We are aware of the looming (ecological, social) catastrophes, but we somehow don’t take them seriously. What ideology sustains such an attitude?
A collection of video by the artist Francis Alÿs
The viewer’s face is captured in real time; its size and location on the screen is determined and matched to a series of images stored in a database.
Plateforme virtuelle de diffusion, de programmation et d’information offre l’accès, directement en ligne, à une partie représentative des œuvres présentées, produites ou coproduites par La Bande Vidéo sur les vingt dernières années.
For this video, produced by Blink Art and Colonel Blimp, he employed one of his favorite mediums, compiling the entire video using stock footage from Getty Images. The footage is entertaining enough in its fake generic way, http://moresoon.org/
Interaction archive aims to bring together interactive projects that explore interaction between man and the physical built environment.
Cutting Edge Audio/Visual Synesthesia, Experimental Motiongraphics, and Visual Effects.
référencement d’œuvres chorégraphiques, avec des créations pour l’image, des documentaires, des spectacles filmés et des entretiens.
Transitland is a collaborative archiving project. Its main outcome is a selection of 100 single-channel video works, produced in the period 1989-2009
Syphon is an open source Mac OS X technology that allows applications to share frames - full frame rate video or stills - with one another in realtime.
RemoteVLC is an external library which allows you to communicate and control VLC Media Player remotely from the processing environment. Processing has memory issues in handling videos.
Open Culture editor Dan Colman scours the web for the best educational media. He finds the free courses and audio books you need, the language lessons & movies you want, and plenty of enlightenment in between.
Archive of Videoforme festival in France
Curated by Marina Fokidis
Curated audiovisual content from the global underground. We are a new media platform showcasing exclusive underground content from artists across the world.
A Video Report on Data Visualization by Geoff McGhee