Site featuring the artwork of Jason Salavon. Work pages present a variety of projects created since 1991. The info pages include contact, CV, and publicity material. The feed contains posts, updates, and other newsy items.
PixiVisor is a revolutionary tool for audio-visual experiments. Simple and fun, cross-platform application with unlimited potential for creativity! It consists of two parts: Transmitter and Receiver. Transmitter converts the video (static 64x64 image or 10FPS animation) to sound, pixel by pixel (progressive scan). This lets you listen to the sound of your image. But the main function of the Transmitter is to transmit the signal to the receiving devices. Receiver converts the sound (from microphone or Line-in input) back to video. You can set the color palette for this video, and record it to animated GIF file.
Artist Ed Ruscha's fascination with the vernacular architecture of Los Angeles began over fifty years ago and continues to this day. In the 1960s, Ruscha started documenting the building facades along the city's major roads by taking continuous photographs with a 35mm camera mounted to a moving vehicle. His first related publication, "Everything Building on the Sunset Strip" (1966), captures an extensive stretch of the famous thoroughfare. The Streets of Los Angeles Archive, now preserved at the Getty Research Institute, includes Ruscha's comprehensive views of avenues throughout the region.
Inspired by the roads previously paved by concrète musicians and theorists, but also heavily influenced by the worlds of performance art, punk rock and no wave, Christian Marclay was probably the first musician to steal the plunder from the academic domain and to consistently work on the possibilities of disarranging previously ordered sonic artefacts. Long before being a d.j. meant anything more than someone putting one record after the other to make people dance (which is still what it means today), Marclay was exploring old vinyl collections, scratching vinyl in ways unthought of by Bambaataa, destroying needles against turntables and breaking up records in order to discover what lies beneath the groove. In this fairly conventional documentary, Luc Peter offers us a short portrait of Marclay's activities in more recent years, at a time when he's been elevated to avant-stardom by a society reasonably accustomed to the ideas of a musician using ready-made sources or of someone commanding people's respect behind the decks. Marclay briefly discusses his background, methods and artistic purposes, together with considerations on the turntable/record as an instrument or its place in improvisation and pop music.
N.Y., N.Y. is a 1957 film by director New York City recorded through special kaleidoscope lenses (it is rumored that their development took over 20 years). Despite a similar name, it is unrelated to the 1977 film New York, New York.
The Macaulay Library is the world's largest and oldest scientific archive of biodiversity audio and video recordings. Our mission is to collect and preserve recordings of each species' behavior and natural history, to facilitate the ability of others to collect and preserve such recordings, and to actively promote the use of these recordings for diverse purposes spanning scientific research, education, conservation, and the arts.
Video Supercuts, obsessive video montages constructed from popular tv shows or movies that repeat a certain theme
Recommended by Lawrence Lessig - Soderberg was responsible for the "Read My Lips" series and the remix showing George Bush & Tony Blair singing Endless Love.
"A hilarious montage of movies, both classic and obscure, creates a rapid-fire countdown."
(William Sloan, "Outstanding Short Films from International Festivals", Department of Film and Media, Museum of Modern Art New York)
"Exciting found footage filmed made up of 266 (classic) film fragments. Counting down from 266. Schreiner sought and found fragments from film classics and obscure reels of film to complete his task. With a great feeling for building up tension and tight editing, he holds on to the viewer's gaze."
(catalogue IFFR Rotterdam, 2006)
"The numbers from 266 to 1, all glimpsed in brief shots from hundreds of films, are counted down in a hypnotically progressive edit, the ultimate in brutally linear narrative structures."
(Paul Rooney, "Out of Darkness", Screenings of artists’ video in cinemas throughout the Midlands, Great Britain)
"Flag as inapproriate". This unconspicuous button with a flag icon appears underneath every single YouTube video we watch marking the limits of our freedom in the Internet. Once flagged by anonymous users, after being checked by the also anonymous YouTube team, a video quickly disappears forever. In exactly this process, Dominic Gagnon intervenes. He 'saves' the flagged videos before they are deleted and adds them to a dark and mythological collage of American survivalism. People have their say, who deeply mistrust the government, who warn their fellow citizens, and who arm themselves visibly. An unclear image emerges. While the protagonists are scared of the almighty American government, the viewer is irritated what to find the most threatening in this "hell": the United States of America, the critics armed to the teeth with conspiracy theories, or the anonymous censorship power of the companies which control the web. The protagonists of Pieces and Love All to Hell are mostly female, whereas in Gagnon's earlier work RIP in Pieces America (transmediale.10, see the video below on this page) they were mainly male.
Research in the DIEM project is focused on understanding human vision during complex real-world scene perception. Because human visual perception involves active information seeking via eye movements, much of the work in the lab focuses on eye movements and human gaze control.
Topics of interest in the lab include fast scene recognition, visual search in natural scenes, visual memory and scene representation, eye movement control during static and dynamic scene viewing, and the integration of visual and linguistic information in natural contexts.
We are also interested in computational approaches to these questions and implementation of underlying processes in the human brain as revealed by neuroimaging techniques such as pupillary response, fMRI and ERP.
http://www.cinexcellence.com/2011/05/complete-list-of-wilhelm-screams/
THE WILHELM SCREAM
is a popular stock scream used in countless films, tv shows, and video games. It was recorded in 1951 for Distant Drums, but found it's infamy when sound magician Ben Burtt snuck it into the films he was working on, especially Star Wars and Indiana Jones.
This video is a (pretty) complete collection of the films that The Wilhelm Scream has been in.
Note: There are different takes of the Wilhelm Scream from the original recording. The most popular version is take 4, but you will hear other versions as well.
The video accompanying our SIGGRAPH 2012 paper "Eulerian Video Magnification for Revealing Subtle Changes in the World". Read more about it here: http://people.csail.mit.edu/mrub/vidmag/
Her artistic research is focused on video installations, photography and experimental films.
Strongly influenced by cinema, her language offers frequently traditional narrative elements and confronts them to other contemporary forms. Her artistic development has always been marked by the result of close collaborations with musicians and composers.
A supercut of inhalations and exhalations from (in order) Willem de Kooning, Barnett Newman, Robert Motherwell, Robert Rauschenberg, Kenneth Noland, Jasper Johns & Larry Poons.
From "Painters Painting", the original 1972 film by Emile de Antonio, and inspired by the current exhibition at Atlanta Contemporary Art Center, "Paintings Panting".
http://thecontemporary.org/exhibitions/painters-panting/
http://michaeldavidmurphy.com
Souvenirs from Earth is the first Cable TV station broadcasting a 24/7 program of Video art, Film, Visual art, Music, Installations and Performances, transforming bigger flat screens into an art terminal, giving access to the avant-garde of visual cultures. We give art more visibility and create new opportunities for art professionals, investigating the ever changing position of art in contemporary culture.
EyesWeb is an open software research platform for the design and development of real-time multimodal systems and interfaces.
Entretien avec le philosophe Bernard Stiegler, réalisé lors du tournage du documentaire "Après la Gauche".
Documentaire réalisé par Jérémy Forni et écrit par Jérémy Forni, Geoffroy Fauquier et Gaël Bizien.
Association citée par B. Stiegler : http://arsindustrialis.org/
The EUscreen project aims to promote the use of television content to explore Europe's rich and diverse cultural history. It will create access to over 30,000 items of programme content and information, and by developing a number of interactive functionalities and dynamic links with Europeana it will prove valuable to the widest range of cultural, educational and recreational users.
After his older brother Victor died in Berlin, Cristian (17) decides to make a documentary about his family and his brother's best friends. How do they feel? How do they deal with the death of someone so close to them?
Inspired by the home videos I made since the late eighties, in this, my first feature film and/or mockumentary, I 'kill' myself to interview my family and my best friends from Chile and Germany, exploring the acting skills of non actors and the line between fiction and documentary.
The digital revolution of the last decade has unleashed creativity and talent in an unprecedented way, with unlimited opportunities.
But does democratized culture mean better art or is true talent instead drowned out? This is the question addressed by PressPausePlay, a documentary film containing interviews with some of the world's most influential creators of the digital era. presspauseplay.com @presspauseplay Facebook: on.fb.me/y4gEK1
CV Dazzle™ is camouflage from computer vision (CV). It is a form of expressive interference that combines makeup and hair styling (or other modifications) with face-detection thwarting designs.
We have built an imaging solution that allows us to visualize propagation of light at an effective rate of one trillion frames per second. Direct recording of light at such a frame rate with sufficient brightness is nearly impossible. We use an indirect 'stroboscopic' method that combines millions of repeated measurements by careful scanning in time and viewpoints.
The device has been developed by the MIT Media Lab's Camera Culture group in collaboration with Bawendi Lab in the Department of Chemistry at MIT. A laser pulse that lasts less than one trillionth of a second is used as a flash and the light returning from the scene is collected by a camera at a rate equivalent to roughly 1 trillion frames per second. However, due to very short exposure times (roughly one trillionth of a second) and a narrow field of view of the camera, the video is captured over several minutes by repeated and periodic sampling.
For more info visit http://raskar.info/trillionfps
http://femtophoto.info
http://www.nytimes.com/2011/12/13/science/speed-of-light-lingers-in-face-of-m...
http://web.mit.edu/newsoffice/2011/trillion-fps-camera-1213.html
Solid Steel is a weekly 2 hour radio mix show, now running for over 2 decades. Every week one of the regular contributors pairs up with a guest to mix and match 'the broadest beats'.
The following videos have been created by the Crew Earth Observations team at Johnson Space Center from a series of still images taken onboard the International Space Station.
Crane.tv is the premium online video magazine for contemporary culture. Devised by an experienced editorial team, its content is aimed at a digital audience of style conscious and culturally curious, global citizens. To date, Crane.tv offers a selection of 500+ videos, showcasing the latest and the best on its five magazine channels - Art, Design, Fashion, Lifestyle and Travel. An international editorial team of leading video-makers and lifestyle-scouts produces the high-calibre content, featuring new talents.
Our mission is to distribute and archive works of time-based art. Each issue highlights artists working in new or experimental media, whose works are best documented in video or sound.
ikonoTV specializes in presenting art in video form, presenting artworks from the ancient world up to the present day as visual narratives constructed of moving images. The central element of IkonoTV’s philosoph
Giovanni Sample est un projet lancé en 2004 par un artiste français qui façonne des morceaux/clips originaux en piochant sa matière première dans les sites de partage vidéo. Giovanni Sample revisite le patrimoine culturel mondial avec un regard et u
Sur cette page vous pouvez accéder à une cinquantaine de séances Ars Industrialis indexées sous "Lignes de Temps".